{"id":6359,"date":"2016-11-10T00:21:42","date_gmt":"2016-11-10T02:21:42","guid":{"rendered":"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/?p=6359"},"modified":"2016-12-08T10:26:44","modified_gmt":"2016-12-08T12:26:44","slug":"el-acervo-filmografico-de-la-secretaria-de-salud-de-mexico","status":"publish","type":"post","link":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/el-acervo-filmografico-de-la-secretaria-de-salud-de-mexico\/","title":{"rendered":"El acervo filmogr\u00e1fico de la Secretar\u00eda de Salud de M\u00e9xico"},"content":{"rendered":"<p style=\"text-align: right;\">Noviembre 2016<\/p>\n<p>El cine fue una herramienta de educaci\u00f3n higi\u00e9nica de gran importancia en las campa\u00f1as de salud nacionales en el siglo XX. Desde finales de la d\u00e9cada de 1920, el uso del cine para este prop\u00f3sito se populariz\u00f3 en M\u00e9xico.<\/p>\n<p>A lo largo de los a\u00f1os, el cine se convirti\u00f3 en un eficiente medio de propaganda para promover \u00a0los proyectos de las autoridades sanitarias mexicanas, recreando en las pel\u00edculas la imagen de un pa\u00eds sano y moderno.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/dx.doi.org\/10.1590\/S0104-59702012000100017 \"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6360 aligncenter\" alt=\"vacuna Mexico\" src=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/wp-content\/uploads\/2016\/11\/vacuna-Mexico.jpg\" width=\"575\" height=\"541\" srcset=\"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-content\/uploads\/2016\/11\/vacuna-Mexico.jpg 575w, https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-content\/uploads\/2016\/11\/vacuna-Mexico-300x282.jpg 300w\" sizes=\"auto, (max-width: 575px) 100vw, 575px\" \/><\/a><\/p>\n<p>El art\u00edculo <a href=\"http:\/\/www.scielo.br\/scielo.php?script=sci_arttext&amp;pid=S0104-59702012000100017&amp;lng=es&amp;nrm=iso&amp;tlng=en\" target=\"_blank\">Un recorrido por el acervo filmogr\u00e1fico de la Secretar\u00eda de Salud de M\u00e9xico<\/a> de Mar\u00eda Rosa Gudi\u00f1o Cejudo, investigadora del <a href=\"https:\/\/www.insp.mx\/\" target=\"_blank\">Instituto Nacional de Salud P\u00fablica<\/a>, muestra los resultados del trabajo de rescate y catalogaci\u00f3n de este acervo entre 1943 y 1960.<\/p>\n<p>Con respecto a el contenido tem\u00e1tico del acervo filmogr\u00e1fico, la investigaci\u00f3n ha identificado los siguientes temas: Adicciones, alimentaci\u00f3n y nutrici\u00f3n, anatom\u00eda, anticoncepci\u00f3n, educaci\u00f3n sexual, planificaci\u00f3n familiar, entre otros.<\/p>\n<p>Lea en HCS-Manguinhos:<\/p>\n<p><a href=\"http:\/\/dx.doi.org\/10.1590\/S0104-59702002000400009 \" target=\"_blank\">&#8220;Milonguitas&#8221; en Buenos Aires (1910-1940): tango, ascenso social y tuberculosis<\/a>, Diego Armus<\/p>\n<p><b><span style=\"font-family: Verdana, Arial, Helvetica-Normal, sans-serif; font-size: large;\">\u00a0<\/span><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cine fue una herramienta de educaci\u00f3n higi\u00e9nica de gran importancia en las campa\u00f1as de salud nacionales en el siglo XX.<\/p>\n","protected":false},"author":8,"featured_media":6362,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[4],"tags":[774],"class_list":["post-6359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-highlights","tag-maria-rosa-gudino-cejudo"],"_links":{"self":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/6359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/comments?post=6359"}],"version-history":[{"count":8,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/6359\/revisions"}],"predecessor-version":[{"id":6366,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/6359\/revisions\/6366"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/media\/6362"}],"wp:attachment":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/media?parent=6359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/categories?post=6359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/tags?post=6359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}