{"id":364,"date":"2013-08-06T12:04:25","date_gmt":"2013-08-06T15:04:25","guid":{"rendered":"http:\/\/www.revistahcsm.coc.fiocruz.br\/ingles\/?p=364"},"modified":"2013-09-24T16:09:31","modified_gmt":"2013-09-24T19:09:31","slug":"vol-13-%e2%80%a2-supplement-%e2%80%a2-2006-dialogue-between-science-and-art","status":"publish","type":"post","link":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/vol-13-%e2%80%a2-supplement-%e2%80%a2-2006-dialogue-between-science-and-art\/","title":{"rendered":"Vol. 13 \u2022 supplement \u2022 2006 \u2013 Dialogue between science and art"},"content":{"rendered":"

\"vol13_suplemento\"<\/p>\n

ANALYSIS<\/strong>
\nScience fiction, perception, and ontology: is the world fake?
\nCiro Flamarion Cardoso<\/em>
\nabstract\u00a0<\/a><\/p>\n

Johann Wolfgang von Goethe: art and nature, poetry and science
\nIzabela Maria Furtado Kestler\u00a0<\/em>
\nabstract\u00a0<\/a><\/p>\n

Physics and literature: building a bridge between two cultures
\nJo\u00e3o Zanetic<\/em>
\nabstract\u00a0<\/a><\/p>\n

Science and art: unlikely relations?
\nJos\u00e9 Claudio Reis, Andreia Guerra and Marco Braga<\/em>
\nabstract\u00a0<\/a><\/p>\n

The transparent body: medical imaging and popular culture in the twentieth century
\nFrancisco Ortega<\/em>
\nabstract\u00a0<\/a><\/p>\n

Personal reflections on Jackson Pollock\u2019s fractal paintings
\nRichard Taylor<\/em>
\ntext in english<\/a><\/p>\n

Salvador Dal\u00ed\u2019s obsession with science
\nM\u00f2nica L\u00f3pez Ferrado<\/em>
\ntext in spanish<\/a><\/p>\n

Cinema and the scientific imaginary
\nBernardo Jefferson de Oliveira\u00a0<\/em>
\nabstract\u00a0<\/a><\/p>\n

Brunelleschi\u2019s mirror, Alberti\u2019s window, and Galileo\u2019s \u201cperspective tube\u201d
\nSamuel Y. Edgerton<\/em>
\ntext in english<\/a><\/p>\n

Cloning goes to the Movies
\nCraig Cormick\u00a0<\/em>
\ntext in english<\/a><\/p>\n

INTERVIEWS<\/strong>
\nThe poetic side of science
\ninterview with Affonso Romano de Sant\u2019Anna, interview given to Carla Almeida
\ntext in portuguese<\/a><\/p>\n

Einstein and Picasso: mere coincidence?
\ninterview with Arthur I. Miller, interview given to Luisa Massarani, Carla Almeida\u00a0and Jos\u00e9 Claudio Reis
\ntext in portuguese<\/a><\/p>\n

Art and science on the stage
\ninterview with Carlos Palma, interview given to Luisa Massarani and Carla Ameida
\ntext in portuguese<\/a><\/p>\n

Transgenic art
\ninterview with Eduardo Kac, interview given to Dolores Galindo
\ntext in portuguese<\/a><\/p>\n

ESSAY<\/strong>
\nPoetry and science \u2013 almost a short-short story
\nMarco Lucchesi<\/em>
\ntext in portuguese<\/a><\/p>\n

IMAGES<\/strong>
\nFayga Ostrower, a life open to sensibility and to the intellect
\nCarla Almeida\u00a0<\/em>
\nabstract<\/a><\/p>\n

SOURCES<\/strong>
\nScientific enchantment: science topics in the lyrics of popular Brazilian music
\nIldeu de Castro Moreira and Luisa Massarani<\/em>
\nabstract<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

ANALYSIS Science fiction, perception, and ontology: is the world fake? Ciro Flamarion Cardoso abstract\u00a0 Johann Wolfgang von Goethe: art and nature, poetry and science Izabela Maria Furtado Kestler\u00a0 abstract\u00a0 Physics and literature: building a bridge between two cultures Jo\u00e3o Zanetic abstract\u00a0 Science and art: unlikely relations? Jos\u00e9 Claudio Reis, Andreia Guerra and Marco Braga abstract\u00a0 […]<\/p>\n","protected":false},"author":5,"featured_media":365,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[1,5],"tags":[],"class_list":["post-364","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cover","category-print-edition"],"_links":{"self":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/comments?post=364"}],"version-history":[{"count":4,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/364\/revisions"}],"predecessor-version":[{"id":986,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/364\/revisions\/986"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/media\/365"}],"wp:attachment":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/media?parent=364"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/categories?post=364"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/tags?post=364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}