{"id":3186,"date":"2015-04-27T11:40:56","date_gmt":"2015-04-27T14:40:56","guid":{"rendered":"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/?p=3186"},"modified":"2015-04-27T11:40:56","modified_gmt":"2015-04-27T14:40:56","slug":"call-for-papers-art-anatomy-and-medicine-since-1700","status":"publish","type":"post","link":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/call-for-papers-art-anatomy-and-medicine-since-1700\/","title":{"rendered":"Call for Papers: Art, Anatomy, and Medicine since 1700"},"content":{"rendered":"
\"Picasso\"<\/a>

Science and Charity. Pablo Picasso, 1897. The Picasso Museum, Barcelona<\/p><\/div>\n

Art, Anatomy, and Medicine since 1700 is a two-day symposium sponsored by the University of South Carolina\u2019s Provost\u2019s Office and the School of Visual Art & Design, with cooperation from the Columbia Museum of Art. \u00a0It will take place in\u00a0the Columbia Museum of Art, Columbia, South Carolina,\u00a0March 31-April 1, 2016.<\/p>\n

The symposium organizer seeks proposals for papers that address visual, theoretical, cultural, historical and\/or contemporary connections, relationships, conflicts and\/or collaborations among the visual arts, anatomy\/dissection, and medicine from the eighteenth century to the present.<\/p>\n

Participants may be historians of art, medicine, science or technology, art educators, medical professionals, artists (who may propose to contextualize their own work), etc. Successful papers may also be invited for publication in an edited volume of the same theme.
\nBroad topics may include (but are certainly not limited to):
\n\u2022 The role of anatomy in artists\u2019 training (past, present and\/or future)
\n\u2022 Artists\u2019 roles in the creation\/dissemination of anatomical knowledge
\n\u2022 Artistic representation of anatomical and medical professionals
\n\u2022 Anatomical and medical models: from \u00e9corch\u00e9 figures to nano-imagery
\n\u2022 Anatomy as art, art as anatomy
\n\u2022 Anatomical displays, exhibitions (e.g. Body Worlds), and collections: from curious to educational to controversial
\n\u2022 Corpses, dissection and grave-robbing in art, literature and medical history
\n\u2022 Imaging bodily surface and anatomical depth: from sculpture to M.R.I.s and beyond
\n\u2022 Beyond human, superhuman, inhuman(e)?: technological \u2018improvements\u2019, additions and extensions of human anatomy from prosthetics\/implants to Google glasses
\n\u2022 Zombies and vampires, and the creative\/fantastic defiance of or resistance to anatomical, medical and worldly reality
\n\u2022 The evolutionary human in art and science: looking backward and looking ahead
\n\u2022 Parts vs. whole: the functions of specificity and generality in aesthetics and visual medical information<\/p>\n

Please send cover letter, abstract (no more than 3 pages, double-spaced typed), and CV to:
\nDr. Andrew Graciano, Associate Professor of Art History and Associate Director
\nSchool of Visual Art & Design
\nUniversity of South Carolina
\nColumbia, SC 29208 USA
\nor by email to:\u00a0graciano@mailbox.sc.edu<\/a>.
\nProposal deadline:\u00a0July 1, 2015<\/p>\n

For a related article in Spanish, see:<\/p>\n

Pedraz, Miguel Vicente. \u201cBody and society in the Libro de la anathom\u00eda del hombre by Bernardino Monta\u00f1a de Monserrate: an anatomist\u2019s political dream<\/a>\u201c.\u00a0Hist. cienc. saude-Manguinhos vol.20 \u00a0supl.1 Rio de Janeiro Nov. 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"

The symposium seeks proposals for papers that address visual, historical or contemporary connections among the visual arts, anatomy and medicine from the eighteenth century to the present.<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-3186","post","type-post","status-publish","format-standard","hentry","category-more-news"],"_links":{"self":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/3186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/comments?post=3186"}],"version-history":[{"count":3,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/3186\/revisions"}],"predecessor-version":[{"id":3191,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/3186\/revisions\/3191"}],"wp:attachment":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/media?parent=3186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/categories?post=3186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/tags?post=3186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}