{"id":201,"date":"2013-07-30T15:42:01","date_gmt":"2013-07-30T18:42:01","guid":{"rendered":"http:\/\/www.revistahcsm.coc.fiocruz.br\/ingles\/?p=201"},"modified":"2013-09-23T16:05:50","modified_gmt":"2013-09-23T19:05:50","slug":"vol-5-%e2%80%a2-supplement-%e2%80%a2-july-1998","status":"publish","type":"post","link":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/vol-5-%e2%80%a2-supplement-%e2%80%a2-july-1998\/","title":{"rendered":"Vol. 5 \u2022 supplement \u2022 July 1998"},"content":{"rendered":"

\"vol5_canudos\"<\/p>\n

ANALYSIS<\/strong>
\nWar as a picture and a spectacle: history staged in\u00a0Os sert\u00f5es<\/em>
\nBerthold Zilly\u00a0<\/em>
\nabstract<\/a><\/p>\n

Between Clio and Calliope: construction of the historical narrative in\u00a0Os sert\u00f5es<\/em>
\nLuiz Fernando Valente<\/em>
\nabstract<\/a><\/span><\/p>\n

The discursive ontology of\u00a0Os sert\u00f5es<\/em>
\nLeopoldo M. Bernucci<\/em>
\nabstract<\/a><\/span><\/p>\n

Os sert\u00f5es:<\/em>\u00a0present time and archaism in the cultural representation of a Brazilian conflict
\nPaulo Venancio Filho<\/em>
\nabstract<\/a><\/span><\/p>\n

The book that shook Brazil: the acclaim of\u00a0Os sert\u00f5es<\/em>\u00a0at the turn of the century
\nRegina Abreu<\/em>
\nabstract<\/a><\/span><\/p>\n

Geology and geological metaphor in\u00a0Os sert\u00f5es<\/em>
\nJos\u00e9 Carlos Barreto de Santana\u00a0<\/em>
\nabstract<\/a><\/span><\/p>\n

Visions of the desert: jungle and backlands in Euclides da Cunha
\nRoberto Ventura\u00a0<\/em>
\nabstract<\/a><\/span><\/p>\n

Enlightened and romantic: the past in Euclides da Cunha\u2019s\u00a0Os sert\u00f5es<\/em>
\nGlaucia Villas B\u00f4as<\/em>
\nabstract<\/a><\/span><\/p>\n

The civilizing missions of the Republic and interpretations of Brazil
\nN\u00edsia Trindade Lima<\/em>
\nabstract<\/a><\/p>\n

The conquest of territory: backlands and frontier in Brazilian thought
\nL\u00facia Lippi Oliveira<\/em>
\nabstract<\/a><\/span><\/p>\n

Just down there, at the end of the avenue: Os sert\u00f5es redefined by the sanitation movement during the First Republic
\nGilberto Hochman\u00a0<\/em>
\nabstract<\/a><\/span><\/p>\n

The work of Euclides da Cunha and debates on racial admixture in Brazil in the early 20th century: Os sert\u00f5es and the field of medicine- anthropology at the Museu Nacional
\nRicardo Ventura Santos<\/em>
\nabstract<\/a><\/span><\/p>\n

Land struggles and social identities
\nMario Grynszpan<\/em>
\nabstract<\/a><\/span><\/p>\n

\u2018Country\u2019 culture in contemporary Brazil
\nSilvana G. de Paula\u00a0<\/em>
\nabstract<\/a>
\n<\/span>
\n<\/span>INTERVIEW<\/strong>
\nFact and fiction in the works of Euclides da Cunha
\nWalnice Nogueira Galv\u00e3o entrevistada por N\u00edsia Trindade Lima e Simone P. Kropf<\/em>
\ntext in portuguese<\/a><\/span><\/p>\n

IMAGES<\/strong>
\nFl\u00e1vio de Barros\u2019 album of photographs: memory and representation of the battle of Canudos
\nC\u00edcero Ant\u00f4nio F. de Almeira<\/em>
\ntext in portuguese<\/a><\/span><\/p>\n

Fl\u00e1vio de Barros, the illustrious and anonymous chronicler of the battle of Canudos: the photographs that Euclides da Cunha would liked to have taken
\nBerthold Zilly<\/em>
\ntext in portuguese<\/a><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

ANALYSIS War as a picture and a spectacle: history staged in\u00a0Os sert\u00f5es Berthold Zilly\u00a0 abstract Between Clio and Calliope: construction of the historical narrative in\u00a0Os sert\u00f5es Luiz Fernando Valente abstract The discursive ontology of\u00a0Os sert\u00f5es Leopoldo M. Bernucci abstract Os sert\u00f5es:\u00a0present time and archaism in the cultural representation of a Brazilian conflict Paulo Venancio Filho […]<\/p>\n","protected":false},"author":5,"featured_media":202,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_tribe_ticket_capacity":"0","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[1,5],"tags":[],"class_list":["post-201","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cover","category-print-edition"],"_links":{"self":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":4,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/201\/revisions"}],"predecessor-version":[{"id":205,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/posts\/201\/revisions\/205"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/media\/202"}],"wp:attachment":[{"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/media?parent=201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/categories?post=201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/wp-json\/wp\/v2\/tags?post=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}