{"id":12178,"date":"2020-10-14T15:12:57","date_gmt":"2020-10-14T18:12:57","guid":{"rendered":"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/?p=12178"},"modified":"2020-10-14T16:28:50","modified_gmt":"2020-10-14T19:28:50","slug":"collective-isolation-in-latin-america","status":"publish","type":"post","link":"https:\/\/revistahcsm.coc.fiocruz.br\/english\/collective-isolation-in-latin-america\/","title":{"rendered":"Collective isolation in Latin America"},"content":{"rendered":"<p style=\"text-align: right;\">October 2020<\/p>\n<p style=\"text-align: left;\">The exhibition\u00a0<a href=\"https:\/\/websites.harvard.edu\/drclascovid19exhibit\/?fbclid=IwAR2fBlAdBLy4GjgBF5vMWUbWhdZzQ7qsieVNhFve-LxTT9c6SuIZNxO__7M\"><strong><em>Documenting the Impact of Covid-19 through Photography: Collective Isolation in Latin America<\/em><\/strong><\/a><strong><em>\u00a0<\/em><\/strong>aims to create a critical visual record of our unprecedented times.<\/p>\n<p style=\"text-align: left;\">The exhibition was curated in collaboration with ReVista and the Art, Culture, and Film program at Harvard David Rockefeller Center for Latin American Studies (DRCLAS). Through this curated selection of photography from Latin America and the Caribbean, the exhibition seeks to promote a regional perspective of the collective isolation imposed by Covid-19.\u00a0Check out the <a href=\"https:\/\/websites.harvard.edu\/drclascovid19exhibit\/?fbclid=IwAR2fBlAdBLy4GjgBF5vMWUbWhdZzQ7qsieVNhFve-LxTT9c6SuIZNxO__7M\">photo Gallery<\/a>!<\/p>\n<div id=\"attachment_12179\" style=\"width: 528px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/websites.harvard.edu\/drclascovid19exhibit\/?fbclid=IwAR2fBlAdBLy4GjgBF5vMWUbWhdZzQ7qsieVNhFve-LxTT9c6SuIZNxO__7M\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12179\" class=\"wp-image-12179\" src=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/wp-content\/uploads\/2020\/10\/5_RODRIGOABD_DRCLAS-OPEN-CALL.jpg\" alt=\"\" width=\"518\" height=\"345\" \/><\/a><p id=\"caption-attachment-12179\" class=\"wp-caption-text\">Lima, Peru. Photo by\u00a0Rodrigo Abd<\/p><\/div>\n<div id=\"attachment_12180\" style=\"width: 533px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/websites.harvard.edu\/drclascovid19exhibit\/?fbclid=IwAR2fBlAdBLy4GjgBF5vMWUbWhdZzQ7qsieVNhFve-LxTT9c6SuIZNxO__7M\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12180\" class=\"wp-image-12180\" src=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/wp-content\/uploads\/2020\/10\/Dusk-Phase-3-5.jpg\" alt=\"\" width=\"523\" height=\"349\" \/><\/a><p id=\"caption-attachment-12180\" class=\"wp-caption-text\">Ciudad de M\u00e9xico, M\u00e9xico. Photo by Miguel Tovar.<\/p><\/div>\n<div id=\"attachment_12181\" style=\"width: 531px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/websites.harvard.edu\/drclascovid19exhibit\/?fbclid=IwAR2fBlAdBLy4GjgBF5vMWUbWhdZzQ7qsieVNhFve-LxTT9c6SuIZNxO__7M\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12181\" class=\"wp-image-12181\" src=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/wp-content\/uploads\/2020\/10\/guichrist_01.jpg\" alt=\"\" width=\"521\" height=\"372\" \/><\/a><p id=\"caption-attachment-12181\" class=\"wp-caption-text\">S\u00e3o Paulo, Brazil. Photo by Gui Christ.<\/p><\/div>\n<p>See Articles and stories about photography in HCS-Manguinhos:<\/p>\n<p>Mart\u00ednez, Alejandro. <a href=\"https:\/\/doi.org\/10.1590\/S0104-59702014000300013\" target=\"_blank\" rel=\"noopener noreferrer\">\u201cUn souvenir de los paisajes submarinos\u201d: la fotograf\u00eda subacu\u00e1tica y los l\u00edmites de la visibilidad fotogr\u00e1fica, 1890-1910.<\/a> Hist. cienc. saude-Manguinhos, Set 2014, vol.21, no.3.<\/p>\n<p>Mraz, John.\u00a0<a href=\"https:\/\/doi.org\/10.1590\/S0104-59702011000300017\"><span class=\"negrito\">War is hazardous for your health:\u00a0photographs and testimonies about death, wounds, disease and medical care during the Mexican Revolution<\/span><\/a>.\u00a0<i>Hist. cienc. saude-Manguinhos<\/i>, Sept 2011, vol.18, no.3, p.893-906. ISSN 0104-5970<\/p>\n<p><a href=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/photography-and-railroads-recording-public-works-in-nineteenth-century-brazil\/\">Photography and railroads<\/a>\u00a0&#8211; This article analyzes how railway engineering was connected to the production of photographs in nineteenth-century Brazil.<\/p>\n<p><a href=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/the-indian-in-brazilian-photography\/\">The Indian in Brazilian photography<\/a>\u00a0April 19, 2018, Indian Day in Brazil The Indian in Brazilian photography: incursions into image and medium, by\u00a0Fernando de Tacca (Universidade Estadual de Campinas), explores contradictions and convergences between a medium (photography) and the image of the Brazilian Indian.<\/p>\n<p><a href=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/sons-of-the-forest-the-ethnographic-photography-of-max-schmidt\/\">Sons of the forest<\/a>\u00a0Edited by actor Viggo Mortensen, the book outlines the work of German Ethnographer Max Schmidt and includes photographs he made in Mato Grosso, Brazil and Paraguay between 1900 and 1935.<\/p>\n<div class=\"post-meta clearfix\"><a href=\"http:\/\/www.revistahcsm.coc.fiocruz.br\/english\/el-inicio-de-la-fotografia-subacuatica-1890-1910\/\">El in\u00edcio de la fotograf\u00eda subacu\u00e1tica, 1890-1910<\/a>\u00a0Alejandro Mart\u00ednez, de la Universidad Nacional de La Plata, habla sobre la historia de la fotograf\u00eda subacu\u00e1tica y su importancia en la ciencia.<\/div>\n<div class=\"post-meta clearfix\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This photo exhibition seeks to promote a regional perspective of the collective isolation imposed by Covid-19. 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