Vol. 5 • supplement • July 1998

vol5_canudos

ANALYSIS
War as a picture and a spectacle: history staged in Os sertões
Berthold Zilly 
abstract

Between Clio and Calliope: construction of the historical narrative in Os sertões
Luiz Fernando Valente
abstract

The discursive ontology of Os sertões
Leopoldo M. Bernucci
abstract

Os sertões: present time and archaism in the cultural representation of a Brazilian conflict
Paulo Venancio Filho
abstract

The book that shook Brazil: the acclaim of Os sertões at the turn of the century
Regina Abreu
abstract

Geology and geological metaphor in Os sertões
José Carlos Barreto de Santana 
abstract

Visions of the desert: jungle and backlands in Euclides da Cunha
Roberto Ventura 
abstract

Enlightened and romantic: the past in Euclides da Cunha’s Os sertões
Glaucia Villas Bôas
abstract

The civilizing missions of the Republic and interpretations of Brazil
Nísia Trindade Lima
abstract

The conquest of territory: backlands and frontier in Brazilian thought
Lúcia Lippi Oliveira
abstract

Just down there, at the end of the avenue: Os sertões redefined by the sanitation movement during the First Republic
Gilberto Hochman 
abstract

The work of Euclides da Cunha and debates on racial admixture in Brazil in the early 20th century: Os sertões and the field of medicine- anthropology at the Museu Nacional
Ricardo Ventura Santos
abstract

Land struggles and social identities
Mario Grynszpan
abstract

‘Country’ culture in contemporary Brazil
Silvana G. de Paula 
abstract

INTERVIEW
Fact and fiction in the works of Euclides da Cunha
Walnice Nogueira Galvão entrevistada por Nísia Trindade Lima e Simone P. Kropf
text in portuguese

IMAGES
Flávio de Barros’ album of photographs: memory and representation of the battle of Canudos
Cícero Antônio F. de Almeira
text in portuguese

Flávio de Barros, the illustrious and anonymous chronicler of the battle of Canudos: the photographs that Euclides da Cunha would liked to have taken
Berthold Zilly
text in portuguese

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